I love to weave stories and tales into my magic. This photo was shot at the 2021 MN Renaissance Festival by Darin Jensen. The theme of the magical effect I am performing here is the classic Magician vs the Devil. The story is told in the words of a poem. I titled it The Young Lad and the Mysterious Stranger. Captured in this photo is the moment the young lad sells his soul to the Devil in exchange for incredible magical abilities. In the end he outsmarts and beats the Devil at his own game with some incredible card magic.
Over my many years of performing this style of magic I have found the audience gets drawn into the magic, they begin to care about what is happening, they are engaged, enriched, enchanted.
THE THREE GREATEST TRICKS IN MAGIC
© Steven Paul Carlson 2019
What are the three greatest tricks in magic?
That was the question posted by a magic acquaintance of mine.
It’s an intriguing question and I will say a tricky one to answer as well 😦 sorry about the pun! After 50+ years of professional magic experience my hope here is to submit a response that is both informative and interesting to all readers not just magicians.
The question was: What are the three greatest tricks in magic? I will, at the same time, take into consideration the three greatest effects in magic.
What is the difference?
In magic the effect is what the trick is all about. For example, in a trick where a coin disappears from the magician’s hand the effect is a vanish. A single trick usually has many different methods that create that one effect.
Often times this magical effect appeals to a basic human desire or need. It is this affect on the emotions that creates the powerful impact of magical effect.
Counting down from # 3
3. Producing money from nowhere (The Misers Dream)
In the Miser’s Dream trick the magician shows his hands empty, his sleeves are rolled back. He then proceeds to pluck silver dollars out of thin air and drops them into a top hat or a wine bucket. This occurs as many times as the magician wishes. Often he will walk into the audience and pull coins off people’s clothing. The coins are seen and heard dropping into the hat or bucket. For a finale the magician may produce a shower of coins from both hands.
This was a very popular trick in the 19th and early 20th century. Today the value of a dollar coin has diminished greatly. However, in 1897 when T. Nelson Downs performed his Miser’s Dream on the Vaudeville stage the purchasing power of a silver dollar was approximately $30. The average workman made $5 to $15. a week. So when the magician plucked a silver dollar out of the air it was big money! That ability would truly be the dream of any member of the audience!
As a magician I am often asked, “Can you turn a $1 into a $100?” That is one of those common, silly questions spectators like to ask magicians. The question does, however, reveal something valuable about how the audience’s mind thinks; if you really could do magic wouldn’t you just magically make money appear?
The Miser’s Dream earns its place in the three greatest magic tricks because it appeals to this basic human dream, the ability to produce money out of nowhere!
3. The Floating Bill, is tied for third
In the floating bill trick, paper currency is borrowed from the audience. The magician lays the bill upon his empty hands and gently crumbles it into a ball. The paper ball, lying upon the magician’s open palm, begins to rise up out of his hand. The magician waves his other hand over and under the floating ball to show nothing is attached to it. The magician now gracefully waves both hands around the ball floating in mid air. The magician then secures the bill between his fingers, unfolds it and hands it back to the spectator.
Gravity, without doubt is the first natural law or force of nature we become aware of… often with painful lessons. As a result witnessing something float, unaided in space, is truly an impossible phenomenon. Because gravity is one of life’s most powerful realities a levitation will always be disarming and stunning to behold.
In magic we of course refer to this effect as a levitation or anti gravity.
The Floating Bill earns its place in the top magical tricks of all time because it dramatically defies a fundamental force of nature. And it does so with a borrowed object, performed at a close up range, under any conditions. It is truly impossible.
Additional note: In a list of the three greatest stage magic tricks the levitation of a person would probably rank number 1 or 2.
2. The Cut & Restored Thread (Gypsy Thread)
In the Gypsy Thread trick, a 3’ length of common sewing thread is cut into 10 to 12 pieces. The pieces of thread, without ever leaving your sight, are instantly restored to their original undamaged condition. In magic the effect is referred to as a restoration.
In life we are constantly faced with disorder and destruction. Life itself is chaotic. And people, by nature, are compelled to find meaning and to bring order and restoration to this chaotic life.
Quite often the plot of a magic trick (especially card magic) is creating order and restoration out of chaos.
This is where the Gypsy Thread trick is so powerful. Life all around us is vulnerable and fragile. The Gypsy Thread trick earns its place in the top three magic greats because it visually addresses that deep human desire… the ability to restore something that has been damaged or destroyed; to bring restoration and healing to chaos and destruction.
1. The Cups & Balls
Standing at number one is the ancient classic… The Cups & Balls.
The unique quality to the Cups & Balls trick is that it covers many different magical effects; the balls appear, vanish, penetrate and move mysteriously from cup to cup or hand to cup. The Cups and Balls grande finale always produce astonishing final productions under the cups, like large balls or fruit and vegetables, objects that barely fit into the cups. I personally produce a cup filled with loose pennies.
One famous magician referred to the Cups and Balls as “the ground work of all legerdemain.”
Throughout ancient history many societies and cultures have created their own unique versions of the Cup or Bowl and Ball effect. India, China and Japan all independently created their own unique versions. First century Romans called the Cups and Balls, “Acetabula et Calculi”, the vinegar cups and the pebbles.
The first written explanation of the Cups and Balls trick appeared in 1584 in a book called, “The Discovery of Witchcraft.”
The Cups & Balls is certainly the oldest and most popular effect in the magician’s repertoire. At the same time it is also the most exposed magic trick. Every beginner magic set comes with the familiar plastic blue, yellow and red cups and the three little yellow pom pom balls.
There was even a humorous attempt to “expose” this great classic on national TV using clear plastic cups.
In spite of all this, or maybe because of all this, the Cups & Balls have stood up to the hard test of time and remains a true classic in magic. To this day the Cups & Balls continues to amaze and mystify audiences. And, like the Phoenix, it arises from its ancient ashes to recreate itself for new generations in a new world of advancing technology.
The Cups and Balls earns the top position in the greatest magic tricks of all time because this magic classic enables us to experience a true sense of wonder and mystery. A moment when nothing is impossible. We are reminded that we, as human beings, not only want magic in our lives we need it. Even if it is only an illusion.
© Steven Paul Carlson 2019
As a sleight of hand artist, or close-up magician, I occasionally get to perform at really fun venues. Such was the case last month in Minneapolis, MN at The Theater in the Round.
It was an evening of magic, manipulation and illusion. In the photo, shown here, I am finishing my close-up magic performance with a classic magical effect called, The Cups & Balls. Here, in a finale I created back in 1975, one of the cups magically fills with pennies and pours out on to the table. Who says, magic doesn’t make any sense… (cents )
The priceless expression on the face of my audience helper, makes this one of my all time favorite magic photos. I hope you enjoy it. 🙂
Magic with coins is my favorite expression within the performance art of Close-Up Magic. I have worked with this particular “One Coin” routine for approximately 35 years. A magical effect is never finished it just keeps evolving and growing. I sincerely hope you enjoy it!
My thanks to the very talented Kevin MacLeod, for creating the beautiful music and allowing me to use it here.
“Sardana” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
© 2015 Steven Paul Carlson.
This video is copyrighted and may not be used without the written permission of Steven Paul Carlson
In magic we call this effect, a coin assembly. Coins magically move from one place to another as if attracted and then, in some cases, instantly return to their original locations. This version, of this classic, is particularly intriguing because this happens numerous times in different ways. My first post of this video did not have music so that is the reason for the new posting.
I hope you enjoy!
Music by Kevin MacLeod, “Not As It Seems” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
The Faerie’s Secret
16”X20” Mixed medium
Twig Oaklyn Flewinia Thistlebottom…
Whew! That’s quite a name. Fortunately her friends know her simply as Twig, the fun, whimsical, magical faerie that graces the renaissance festivals. The young at heart, who are fortunate enough to meet her, often find themselves sprinkled with faerie dust and presented with a magical gem! But be aware, if you ask what the secret is in her hands, she will only answer with her flute. I hope you are fluent in double piped aulos.
Graphite 16” X 20”
This pencil drawing is still in progress. I sketched the original back in 1972, I was still in high school. My intention was to paint it however I never finished it and it has since been lost. I decided to start it up again and see where it would take me.
In high school I was very interested in this fascinating art movement called Surrealism. It greatly influenced my art at that stage of my young life.
Surrealism began around 1920 its objective was to combine incongruous images blending dream state with reality. Probably the most famous surrealists are Salvador Dali, Rene Magritte and Max Ernst. The word “surrealist” was coined by Guillaume Apollinaire.
Wizard III – The Family Portrait
Graphite on board 16” X 20” – printed on parchment
A rare moment of relaxation for a Wizard; pictured here in repose with his extended family, this Wizard, though very old, is an imposing figure. Even seated he exudes the unmistakable power and wisdom of a Wizard of the highest order. Standing to his full height he would reach seven feet. His magical wolf and owl companions are also considerably larger than their kin. Only his feline companion, T. Thomas Tiger, Esq., is natural in size. The hidden images of faeries, raptors, dragon and wizard faces enhance the magic and mystique of this limited edition creation.
Actually it’s a brand new wooden crate it’s a prop I made for my magic performances. It’s made from brand new wooden crates, the kind you find at craft stores. I took them apart and reconstructed them so there were no spaces between the slats.
The logo was created in Photoshop. I wanted it to have a turn of the century, carnival genre look to it. I hand painted it on the crate.
The aging process of the wood was done in two stages, distressing the surface to make it look worn and scarred through years of use and then further enhancing the illusion of age through discoloring and staining. The natural aging process has a definite quality that’s subtle but distinct, surfaces that are handled more wear and color differently it was a fascinating study. I visited antique and junk stores observing the distinct qualities of the aging process.
The metal trim is actually aluminum angle stock (aluminum for lighter weight) this was aged to look like weathered copper or rusted steel. Two products were used, one that coated the aluminum with super fine steel particles and then another product that caused rapid oxidation of the surface creating rust. I gave this a light brushing of steel wool and then some subtle hints of patina.
I’m more conditioned to take something very old and make it look brand new again. This was an interesting challenge because here the goal was to take something brand new and make it look very, very old.
The style of magic that I perform is called Close-up Magic. This style of sleight of hand magic has been described as the ultimate experience in magical entertainment. It’s magic that is performed within inches of the audience and usually witnessed from all angles. This artistic form of close-up sleight of hand magic is by far the most challenging to perform. The up-close, intimate nature of this form of magic makes it the strongest form of magical entertainment.
The close-up magician’s props range from the common to the classic, from napkins, saltshakers and coffee cups to playing cards, coins and cups and balls.
Many of the magical items are elegantly hand crafted and are works of art in themselves!
Professor Steven Paul Carlson’s traveling magic and mystery show. Magic that mystifies the mind, enriches the soul, and delights the heart! Acclaimed by the Crowned Heads of Europe!
Leonardo da Vinci
Without question Leonardo is the undisputed heavyweight genius of all time and the quintessential Renaissance man.
He was a master painter, sculptor, architect, musician, mathematician, engineer, inventor, astronomer, anatomist, geologist, cartographer, city planner, botanist, and writer and I could list more. And now it seems that the title, ‘amateur magician’ should also be added to Leonardo’s résumé!