As a sleight of hand artist, or close-up magician, I occasionally get to perform at really fun venues. Such was the case last month in Minneapolis, MN at The Theater in the Round.
It was an evening of magic, manipulation and illusion. In the photo, shown here, I am finishing my close-up magic performance with a classic magical effect called, The Cups & Balls. Here, in a finale I created back in 1975, one of the cups magically fills with pennies and pours out on to the table. Who says, magic doesn’t make any sense… (cents )
The priceless expression on the face of my audience helper, makes this one of my all time favorite magic photos. I hope you enjoy it. 🙂
Magic with coins is my favorite expression within the performance art of Close-Up Magic. I have worked with this particular “One Coin” routine for approximately 35 years. A magical effect is never finished it just keeps evolving and growing. I sincerely hope you enjoy it!
My thanks to the very talented Kevin MacLeod, for creating the beautiful music and allowing me to use it here.
“Sardana” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
© 2015 Steven Paul Carlson.
This video is copyrighted and may not be used without the written permission of Steven Paul Carlson
In magic we call this effect, a coin assembly. Coins magically move from one place to another as if attracted and then, in some cases, instantly return to their original locations. This version, of this classic, is particularly intriguing because this happens numerous times in different ways. My first post of this video did not have music so that is the reason for the new posting.
I hope you enjoy!
Music by Kevin MacLeod, “Not As It Seems” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
The Faerie’s Secret
16”X20” Mixed medium
Twig Oaklyn Flewinia Thistlebottom…
Whew! That’s quite a name. Fortunately her friends know her simply as Twig, the fun, whimsical, magical faerie that graces the renaissance festivals. The young at heart, who are fortunate enough to meet her, often find themselves sprinkled with faerie dust and presented with a magical gem! But be aware, if you ask what the secret is in her hands, she will only answer with her flute. I hope you are fluent in double piped aulos.
Graphite 16” X 20”
This pencil drawing is still in progress. I sketched the original back in 1972, I was still in high school. My intention was to paint it however I never finished it and it has since been lost. I decided to start it up again and see where it would take me.
In high school I was very interested in this fascinating art movement called Surrealism. It greatly influenced my art at that stage of my young life.
Surrealism began around 1920 its objective was to combine incongruous images blending dream state with reality. Probably the most famous surrealists are Salvador Dali, Rene Magritte and Max Ernst. The word “surrealist” was coined by Guillaume Apollinaire.
Wizard III – The Family Portrait
Graphite on board 16” X 20” – printed on parchment
A rare moment of relaxation for a Wizard; pictured here in repose with his extended family, this Wizard, though very old, is an imposing figure. Even seated he exudes the unmistakable power and wisdom of a Wizard of the highest order. Standing to his full height he would reach seven feet. His magical wolf and owl companions are also considerably larger than their kin. Only his feline companion, T. Thomas Tiger, Esq., is natural in size. The hidden images of faeries, raptors, dragon and wizard faces enhance the magic and mystique of this limited edition creation.
Actually it’s a brand new wooden crate it’s a prop I made for my magic performances. It’s made from brand new wooden crates, the kind you find at craft stores. I took them apart and reconstructed them so there were no spaces between the slats.
The logo was created in Photoshop. I wanted it to have a turn of the century, carnival genre look to it. I hand painted it on the crate.
The aging process of the wood was done in two stages, distressing the surface to make it look worn and scarred through years of use and then further enhancing the illusion of age through discoloring and staining. The natural aging process has a definite quality that’s subtle but distinct, surfaces that are handled more wear and color differently it was a fascinating study. I visited antique and junk stores observing the distinct qualities of the aging process.
The metal trim is actually aluminum angle stock (aluminum for lighter weight) this was aged to look like weathered copper or rusted steel. Two products were used, one that coated the aluminum with super fine steel particles and then another product that caused rapid oxidation of the surface creating rust. I gave this a light brushing of steel wool and then some subtle hints of patina.
I’m more conditioned to take something very old and make it look brand new again. This was an interesting challenge because here the goal was to take something brand new and make it look very, very old.