Antiquity of the Soul – Pastel 16” x 20”
One can see and feel the history etched into this man’s face and antiquity its-self reflecting in his eyes. I had great fun painting the bright colored head cloth with its intricate patterns, wrinkles and folds juxtaposed with his face and the similar intricate patterns. This is one of my all time favorite portraits.
I met an individual at an art show who was from this part of the world. He told me that the head wrap they wear, the colors and patterns, tells you what region the person is from. Fascinating!
Fa’er•ie gnomé or fa’er•y gnomé n
Pronounced fair-ee nohm
May the reader bear in mind, the information offered here regarding these very shy and illusive creatures, is based on only a small number of sightings since the history of the “big folk” began to be documented. Sightings of Faeriegnome dwellings are fortunately a little more common. Both these sources and recent archaeological discoveries help to provide us with our current knowledge of the Faeriegnome folk, their temperament, attributes and customs.
Faeriegnomes are ancient creatures, tiny, quiet and shy by nature. They were believed to be of simple gnome ancestry but they predate even the earliest gnomish records. They are much smaller than a gnome, but larger than the leaf faerie.
Faeriegnome architecture is known for its clever construction and unique creativity.
The unique coalescence of both the Fae and Gnome bloodlines seems to account for their vast magical abilities, their immeasurable ingenuity and ancient wisdom. It also explains their extreme diminutive size. The size of the average adult male, by their standard of measurement, would be about 54 to 63 digits or fingers, which would be about 2.5 to 5 cm or 1 to 2 inches tall.
Writings predating antiquity indicate Faeriegnomes were a part of the Great Earth Caretakers. Their ability to travel extremely long distances enabled them to keep a watchful eye on the delicate balances of nature. Assisting them in these earthly stewardship responsibilities were their ever present, always faithful walking sticks, ‘Astar’, as they call them. The wood of the astar was from a tree, bush or plant of unknown origin. Interestingly, the astar continued its growth despite being separated from the root. In fact, it had to be regularly pruned or it would quickly outgrow its owner! Ordinarily the astar was quite plain, but on occasion a particularly creative and fastidious Faeriegnome might adorn it with a little silver, gold, gems or even seashells.
The Harp Faerie, as she has been affectionately nicknamed, and like its pair Faerie I, feature the Matrifaerie, a mature, dignified and sophisticated faerie captured here while creating upon the woodland harp. The woodland harp, unlike any other musical instrument, is a living entity. It grows from out of the ground, blossoming and even bearing fruit. Its gossamer, web-like strings produce a sound that few are able to hear. Only the truly ingenuous spirit can perceive its atmospheric musical air. Sylvan dwellers are drawn to the magical recital and a rare, ethereal appearance from a musical muse can be seen if you look quickly.
The artistic and musical collaboration of Steven & Patricia inspired this beautiful title song which appears on Mrs. Carlson’s Creative Harp CD ‘Woodland Opus’.
The Four Season Faeries – Graphite 16” X 20”
Herald of the summer solstice; certainly the most care-free of all her sisters Summer Faerie maintains harmony between prolific spring and fruitful autumn with the long, warm, tranquil days of summertide.
Wandering Wiseman, Pax Consensio
Graphite on board 16”X 20”
Ancient lore tells of an old man, a wanderer who travels with his faithful gazehound (greyhound). His peregrinations take him far and wide, over mountains, through valleys and deep into the forests. He speaks the language of the rocks and the trees and the birds of the sky. Everything about this unique wizard exudes peace and harmony; look close and you can see his robe is embroidered with spells and enchantments of peace and harmony–pax consensio.
Look attentively for him when you are feeling the most troubled, but keep in mind he may choose to appear as a friendly bird or affectionate four-footed critter.
Wandering still, searching for the pure of heart and those in need, he gives his peaceful invocation to all who will receive it.
Graphite 16” X 20”
This pencil drawing is still in progress. I sketched the original back in 1972, I was still in high school. My intention was to paint it however I never finished it and it has since been lost. I decided to start it up again and see where it would take me.
In high school I was very interested in this fascinating art movement called Surrealism. It greatly influenced my art at that stage of my young life.
Surrealism began around 1920 its objective was to combine incongruous images blending dream state with reality. Probably the most famous surrealists are Salvador Dali, Rene Magritte and Max Ernst. The word “surrealist” was coined by Guillaume Apollinaire.
Wizard III – The Family Portrait
Graphite on board 16” X 20” – printed on parchment
A rare moment of relaxation for a Wizard; pictured here in repose with his extended family, this Wizard, though very old, is an imposing figure. Even seated he exudes the unmistakable power and wisdom of a Wizard of the highest order. Standing to his full height he would reach seven feet. His magical wolf and owl companions are also considerably larger than their kin. Only his feline companion, T. Thomas Tiger, Esq., is natural in size. The hidden images of faeries, raptors, dragon and wizard faces enhance the magic and mystique of this limited edition creation.