What is close up magic? What is a close up magician?
Close up magic is the intimate art of producing astounding illusions by sleight of hand performed within close proximity to the audience.
The magical objects or props need to fit in the close up magician’s hands. The traditional props are playing cards, coins, cups & balls and even dice. However, anything that fits into the magician’s hands is fair game for his miracles; a cell phone, a pen, paper napkins, a saltshaker, a coffee cup or a dollar bill.
Unlike the stage performer the close up artist brings his magic right into the audience space. There’s no stage or curtains, no boxes or mirrors, simply an object in the magician’s hands held inches away from the spectator’s eyes. The magic often happens right in the spectator’s hand!
Under these strict, close up and challenging conditions, deception seems utterly impossible. Yet, miraculously, the totally impossible still occurs! Close up magic is by far the most demanding form of the magical arts and when done perfectly it is the most astounding!
Close-up magic is best performed for an audience of 30 or less and can be performed sitting at a table or standing. With the arrival of LSV (large screen video) technology larger groups can be accommodated.
Another form of close-up magic is strolling magic. This style has become popular for social and cocktail hours where guests are standing and mingling in small groups. The close-up magician moves around the room entertaining these smaller groups of guests. Street magic is also a form of close-up magic.
Photo & art credits:
Photo art manipulation by Steven Paul Carlson, portrait photo by Nick Olson
The Coin Magician’s Dream, photo art by Steven Carlson
In the art of close-up-magic, coin magic easily finds its place toward the top of the most challenging skills.
Coins, along with playing cards, are the primary objects in the close-up magician’s repertoire.
Historically coins predate playing cards by a good three to four thousand years.
Coins were first introduced as a method of payment around the 6th or 5th century BC and have been in the magician’s bag of tricks ever since.
In the magician’s hands coins appear, vanish and multiply. They magically move from place to place or from hand to hand, visibly and invisibly. Coins change from sliver to copper and even grow in size. The possibilities of magic with coins is limitless.
Coin magic relies upon the intricate dexterity of the artist. Dexterous skills acquired through years of practice, training and performance.
A master sleight of hand artist’s technique is never seen. To the audience it is invisible. These graceful methodologies lie gently hidden beneath the surface of natural movements and gestures. Only then does the coin magic appear effortless and impossible.
My name is Steven Paul Carlson, I have been practicing magic since I was 6 years old and I have been performing magic professionally for over 40 years.
So sit back and relax and enjoy the magical ride.
Oh, and please, fasten your seat belts. 😉
Photo & art credits:
Coin and photo art by Steven Paul Carlson, portrait photo by Nick Olson
As a sleight of hand artist, or close-up magician, I occasionally get to perform at really fun venues. Such was the case last month in Minneapolis, MN at The Theater in the Round.
It was an evening of magic, manipulation and illusion. In the photo, shown here, I am finishing my close-up magic performance with a classic magical effect called, The Cups & Balls. Here, in a finale I created back in 1975, one of the cups magically fills with pennies and pours out on to the table. Who says, magic doesn’t make any sense… (cents )
The priceless expression on the face of my audience helper, makes this one of my all time favorite magic photos. I hope you enjoy it. 🙂
Magic with coins is my favorite expression within the performance art of Close-Up Magic. I have worked with this particular “One Coin” routine for approximately 35 years. A magical effect is never finished it just keeps evolving and growing. I sincerely hope you enjoy it!
My thanks to the very talented Kevin MacLeod, for creating the beautiful music and allowing me to use it here.
“Sardana” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
© 2015 Steven Paul Carlson.
This video is copyrighted and may not be used without the written permission of Steven Paul Carlson
You are entering a world of magic and illusion where anything is possible… pick a card… any card. 😉
This is my new magic promo poster, I had lots of fun creating it, I hope you enjoy it.
In magic we call this effect, a coin assembly. Coins magically move from one place to another as if attracted and then, in some cases, instantly return to their original locations. This version, of this classic, is particularly intriguing because this happens numerous times in different ways. My first post of this video did not have music so that is the reason for the new posting.
I hope you enjoy!
Music by Kevin MacLeod, “Not As It Seems” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
The Great Houdini
(March 24, 1874 – October 31, 1926)
Graphite on board 16” X 20” – Steven Paul Carlson – Gicleé prints available
The center portrait was created from Houdini’s favorite publicity photo.
On the left Houdini is performing his “challenge handcuff” act; it was in escapes, not magic, that Houdini would find his great success.
On the right is Houdini’s most famous escape, the Chinese Water Torture Cell. Houdini affectionately referred to it as The Up Side Down. Contrary to common belief Houdini did not die performing this act.
In the center are the Famous Mirror handcuffs, a custom set of cuffs made as a special challenge for Houdini by the London Daily Mirror in 1904. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event at London’s Hippodrome theater. The escape attempt dragged on for over three hours. When Houdini finally emerged free he broke down and wept when he was paraded on the shoulders of the cheering crowd. Houdini later said it was the most difficult escape of his career.