This is my dream studio. Someday, with a little luck and fortune, that will be where I hang my hat and create 😉
Antiquity of the Soul – Pastel 16” x 20”
One can see and feel the history etched into this man’s face and antiquity its-self reflecting in his eyes. I had great fun painting the bright colored head cloth with its intricate patterns, wrinkles and folds juxtaposed with his face and the similar intricate patterns. This is one of my all time favorite portraits.
I met an individual at an art show who was from this part of the world. He told me that the head wrap they wear, the colors and patterns, tells you what region the person is from. Fascinating!
Fa’er•ie gnomé or fa’er•y gnomé n
Pronounced fair-ee nohm
May the reader bear in mind, the information offered here regarding these very shy and illusive creatures, is based on only a small number of sightings since the history of the “big folk” began to be documented. Sightings of Faeriegnome dwellings are fortunately a little more common. Both these sources and recent archaeological discoveries help to provide us with our current knowledge of the Faeriegnome folk, their temperament, attributes and customs.
Faeriegnomes are ancient creatures, tiny, quiet and shy by nature. They were believed to be of simple gnome ancestry but they predate even the earliest gnomish records. They are much smaller than a gnome, but larger than the leaf faerie.
Faeriegnome architecture is known for its clever construction and unique creativity.
The unique coalescence of both the Fae and Gnome bloodlines seems to account for their vast magical abilities, their immeasurable ingenuity and ancient wisdom. It also explains their extreme diminutive size. The size of the average adult male, by their standard of measurement, would be about 54 to 63 digits or fingers, which would be about 2.5 to 5 cm or 1 to 2 inches tall.
Writings predating antiquity indicate Faeriegnomes were a part of the Great Earth Caretakers. Their ability to travel extremely long distances enabled them to keep a watchful eye on the delicate balances of nature. Assisting them in these earthly stewardship responsibilities were their ever present, always faithful walking sticks, ‘Astar’, as they call them. The wood of the astar was from a tree, bush or plant of unknown origin. Interestingly, the astar continued its growth despite being separated from the root. In fact, it had to be regularly pruned or it would quickly outgrow its owner! Ordinarily the astar was quite plain, but on occasion a particularly creative and fastidious Faeriegnome might adorn it with a little silver, gold, gems or even seashells.
The Harp Faerie, as she has been affectionately nicknamed, and like its pair Faerie I, feature the Matrifaerie, a mature, dignified and sophisticated faerie captured here while creating upon the woodland harp. The woodland harp, unlike any other musical instrument, is a living entity. It grows from out of the ground, blossoming and even bearing fruit. Its gossamer, web-like strings produce a sound that few are able to hear. Only the truly ingenuous spirit can perceive its atmospheric musical air. Sylvan dwellers are drawn to the magical recital and a rare, ethereal appearance from a musical muse can be seen if you look quickly.
The artistic and musical collaboration of Steven & Patricia inspired this beautiful title song which appears on Mrs. Carlson’s Creative Harp CD ‘Woodland Opus’.
Flyaway blond hair, freckles, and that faint smile easily makes this one of my favorite portraits.
It’s mid February and I have spring fever! I was hoping this beautiful summer image might hasten the coming of warmer weather.
“What good is the warmth of summer, without the cold of winter to give it sweetness.” – John Steinbeck,
There are no prints of this piece only the original.
India – pastel 16” x 20”
This stunning face still captivates me; it was an absolutely wonderful portrait to paint. It is one of those rare pieces of my own art that actually hangs in my house. 😉
The textures here also intrigued me; the necklace, the embroidery on her clothing and then creating the sheer effect of the veil.
Like the Viking portrait this too is rendered with pastels. It’s an intricate layering technique using different pastels with a final detail finish of pastel pencil. This layering process gives the portrait an oil painting, oil glaze look.
There are no prints of this work only the original.
He was the young son of Bor, the father of the gods. He was a shapechanger, usually appearing as a vigorous man of fifty with long hair and braided beard, wearing the skins of animals and carrying his unfailing weapon called Gungnir. Here he is, in the ages before he gave up one of his eyes and before sacrificing his life in exchange for greater wisdom. Before the time when the other mighty gods would serve him as children serve their father, before he became the god most favored by the Vikings. His name is Odin, the god of the Norseman!
19” x 26” Pastel (LE prints available)